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Showing posts with label AUDI. Show all posts
Showing posts with label AUDI. Show all posts

Thursday, October 21, 2010

AFI FEST...David Lynch denies right to free speech! Fest discriminates! Volates rights of press!







In true ironic style, David Lynch and Sir Howard Stringer will kick off the annual AFI Fest on Nov 4th - brimming with a bevy of films-  that will speak of truth, cry out for justice, and attempt to hail festival organizers as great humanitarian filmmakers out to raise the consciousness.

Bullshit!

It’s just a lot of hooey!

Uh-huh.

The lofty verbal diarrhea spewing forth from the AFI Fest headquarters in Hollywood (CA) is just a sleazy poorly-scripted heap of nonsense - tawdry fiction - served up on a silver platter by a posse of nefarious snake-oil salesmen like Lynch, Sir Howard Stringer (Sony), Bob Gazzalle (chief back-stabbing highway robber with his hands in the public coffers) out to hi-jack Washington’s gift to the American people for their own greedy, self-serving, political interests.

In a scant two days, David Lynch (in particular) established by virtue of his willful neglect of the pursuit of the truth and his deliberate failure to rectify a wrong - that he is not only a pitiful individual who actively attempts to diabolically silence free speech by dubious dishonest means - but also a scandalous phony inclined to trample on the rights of the free press and openly discriminate against decent members of the film community in a deceitful underhanded plot to bolster his flimsy reputation (checker-board at best) and those of the head honchos who do the dishonest bidding on behalf of the AFI Film Fest 2010.

When Lynch - and festival low-lifers such as Casey De La Rosa (PR), President & CEO Bob Gazzalle, and others - chose to discriminate against me and violate my rights (and quite generally fu** with my head as they to tried to twist a rusty old knife in my back and front) they crossed the proverbial line.

I intend to come out swinging - sue the bastards, if necessary - to toss a searing spotlight on their reprehensible conduct - and in the process - expose their shocking lack of moral rectitude - and corrupt old-boy network - on the world stage.

That’s what these disgraceful losers deserve - to be drawn-and-quartered and strung up by their girlie little balls in the town square - where decent members of the film community (who have also been snubbed by these elitist bums on a government payroll check and/or sponsor’s free ride) may be vindicated for all of the civilized world to feast their eyes on.

The disturbing conduct - that whipped me into a frenzy and resulted in a demoralizing melt-town this past week - was triggered by the outrageous mind-boggling stupidity of Casey De La Rosa - who was under the ludicrous impression that he could discriminate against me and violate my 1st amendment rights without so much as a whimper in protest.

WRONG!

When the evil machinations of De La Rosa reared their ugly head yesterday - out-of-the-blue - it was evident some skulduggery and behind-the-scenes manipulation from the likes of oddball David Lynch, ego-maniac Bob Gazzalle - and just maybe - a handful of phony baloney AFI snobs (headed up by Edward Zwick and Sir Howard Stringer) nodding their nasty approval from a rotten perch on the sidelines in the shadowy world of sleaze that is the underbelly of their corrupt Hollywood presence in the otherwise respected realms of inspiring film industry.

It should be noted for the record that since I became a fairly well-known film critic - I have covered the AFI fest for past two years in Los Angeles (and in Dallas) - with a two-pronged purpose.

For starters, I have always endeavored to provide informative intelligent critiques on film with the specific aim of shedding light on theatrical releases so that - ultimately - I may guide my loyal readers safely through a field of landmines (bombs) that would otherwise put a dent in the pocketbook.

In addition, it has also been a mission of mine to toss a spotlight on emerging talent - and thus - usher their creative gifts into the mainstream where their creative musings can be better appreciated in venues that have the capacity to bolster their status (and a sincere appreciation for their projects) in the community-at-large.

Without doubt, I have single-handed provided a wealth of press coverage to the AFI Fest over the past two years, which has  contributed to the overall success of the annual event.

For a sampling of these reports follow the links posted herein below.

Post:

http://leonelgosphar.blogspot.com/2010/06/mike-nicolsafi-life-achievement-award.html

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http://leonelgosphar.blogspot.com/search?q=AFI&updated-max=2009-03-25T07%3A17%3A00-07%3A00&max-results=20

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http://leonelgosphar.blogspot.com/2008/10/afi-festkicks-off-with-meryl-streep-in.html

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http://leonelgosphar.blogspot.com/2010/10/afi-festivaldavid-lynch-guest-artistic.html

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http://leonelgosphar.blogspot.com/2008/11/afi-festtilda-swintons-julia-role-of.html

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http://leonelgosphar.blogspot.com/2009/10/afi-fest-2009george-clooney-premieres.html

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http://leonelgosphar.blogspot.com/2009/10/afi-fest-2009george-clooney-premieres.html

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http://leonelgosphar.blogspot.com/2009/06/afi-festivalcalling-for-film.html

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http://leonelgosphar.blogspot.com/2009/02/slumdog-millionaireafi-foresaw.html

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http://leonelgosphar.blogspot.com/2008/12/afiannounces-10-best-films-tv-programs.html

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http://leonelgosphar.blogspot.com/2009/04/afi-dallasadrien-brody-lou-gossett-jr.html

Unfortunately, at the tail end of the AFI Fest last year, I suffered a personality clash with the manager of the publicity department who has since left the organization (see specific details below).

Because I perceive my role as a multi-faceted one in which I not only pen movie reviews and conduct celebrity interviews,  but also,  report on the scuttlebutt behind-the-scenes (informative tidbits on the hits and misses)  I was  inclined to write an expose on John Wildman and his abuse of power, corruptions, mistreatment of the press, and what-have-you.

Post:  10/01/09

http://leonelgosphar.blogspot.com/2008/11/afi-festpublicity-director-john-wildman.html

Post: 10/31/09

http://leonelgosphar.blogspot.com/2008/10/afi-festjohn-wildman-publicity-director.html

Of course, the expose  caused a tempest in a teapot to erupt - at which point - Wildman embarked on a nasty crusade to deny me access to films, attendance at gala events, you name it.

I took the high road, however, and maintained my dignity throughout his attempts to assassinate my reputation with his superiors and key players in the film industry in attendance at the Festival.

Of course, I published another post, in which I focused on his heinous mean-spirited conduct, with the specific aim of exposing Mr. Wildman for the low-class  piece of kaka that he was.

Post:  10/31/09

http://leonelgosphar.blogspot.com/2009/10/afi-feststaff-rude-to-press-elitism.html

Shortly thereafter, when the festival wrapped, Mr. Wildman - and two other reps at the AFI Festival - resigned in a cloud of mystery.

The Los Angeles Times reported on this intriguing turn-of-events.

At this juncture, I contacted the AFI Festival Director’s office, to determine if the resignation of Wildman was reported accurately.

When the assistant to the Festival Director promptly assured me by e-mail communication - that Mr. Wildman had ( indeed) left his post - I informed the AFI that in view of the departure of Mr. Wildman I would resume covering their events and throwing much-appreciated publicity their way.

When it came to my attention that the deadline for applying for a press pass for this year’s festival - slated to run November 4th thru November 11th - I immediately contacted the publicity department by e-mail to secure credentials for the upcoming 7-day event.

In the interim, I published a couple of posts to enlighten my readers that the festival was - not only on the horizon-  but scheduled to screen a handful of quality films they might be interested in catching.

Post:  10/18/10

http://leonelgosphar.blogspot.com/2010/10/afi-fest-2010david-lynch-presents-world.html

In particular, I underscored that for the 1st time ever, David Lynch would take on the role of a “guest” Artistic Director.

Post:  10/06/10

http://leonelgosphar.blogspot.com/2010/10/afi-festivaldavid-lynch-guest-artistic.html

I also proceeded to pen articles on specific projects that would be unveiled at AFI which included feature articles on Werner Herzog, special gala events, and-so-forth and-so-on.

Post: 10/18/10

http://leonelgosphar.blogspot.com/2010/10/werner-herzogcave-documentary-to-screen.html

As evidenced above, and by virtue of the links provided, I have established - without doubt - that I have selflessly promoted the AFI Fest on over a dozen occasions over the past two years.

And, one has only to review the body of the posted features (provided by link) to verify that about ninety percent of my press coverage has always been glowing, supportive, and prone to praise the filmmakers, the fest organizers, and the celebrities who appeared on the carpet to promote their projects, etc. etc.

In spite of this, the Festival turned around and reneged on their promise to issue a press pass, pursuant to an e-mail communication on October 14th (2010).

For example, a few days after I was informed that my press pass would be forthcoming, yesterday morning (about a week later), Casey De La Rosa the (head of publicity who took over the post previously held by John Wildman) fired off an e-mail in which he curtly informed me that my press pass was being revoked.

On what grounds?

In the terse two-line communication, Casey De La Rosa informed me  that he “stumbled” on my scathing expose on John Wildman - and for this reason - was denying me access to the press room, gala events, and red carpet interviews!

I was particularly incensed by this disturbing piece of news, because I already made plans to return to Los Angeles to cover the event Nov. 4th thru Nov. 11th.

Moreover, once I started to receive press releases, I jumped into action  and proceeded to pen a couple of feature reports on Mr. Lynch, the movies being screened,  detailed information on the festival, how to secure tickets, and what-have-you.

Post: 10/18/10

http://leonelgosphar.blogspot.com/2010/10/afi-fest-2010david-lynch-presents-world.html

Ungrateful bastards, wouldn’t you agree?

But what really got my goat was Casey De La Rosa’s refusal  to provide contact information I required to lodge a formal complaint with Mr. Lynch, the AFI Board of Directors, AUDI sponsors, and Sir Howard Stringer (Chairman who heads up Son  who is always hitting up the media for free publicity and glowing tributes to bolster his ego and feather his corrupt nest).

In fact, in spite of the fact the request was sent out day-before-yesterday, Casey De La Rosa has refused to respond with the e-mail contacts.

Since the AFI Fest is a non-profit organization - originally founded by a former President on the White House lawn a few decades ago - Mr. De La Rosa (I use the term Mister very loosely) I have been denied the information I am entitled to by law.

Are the e-mail addresses (or snail mail contacts by U.S. Post) a state secret, Mr. De La Rosa?

I hardly think so.

Also, an e-mail communication to David Lynch - guest Festival Director - has also been ignored by the top dog at the AFI Fest 2010 - thereby establishing his lack of courtesy to the press and his shocking lack of professionalism.

Or, is Mr. Lynch hiding, because it is evident to any fool that a review of Mr. De La Rosa’s reprehensible conduct establishes that he not only sought to “silence my voice” -but deny  free speech rights guaranteed under the 1st Amendment of the U.S. Constitution.

In sum, he discriminated against me, and violated my rights in the process.

For example - initially my press pass was approved - on the grounds that I established my writing capabilities and status in the film community.

Thereafter, when De La Rosa (and Lynch?) were enlightened about the expose on John Wildman, they elected to revoke the privilege.

In view of the foregoing, it is has been legally established that Lynch and the AFI and De La Rosa have attempted to censor me - and silence my voice in the process - in violation of the right to free speech.

In view of the fact the AFI was founded by the Government - to provide a forum for film in the U.S. - David Lynch, De La Rosa, Howard Stringer et al - are illegally denying me my right to access in my capacity as a member of the press (or independent party).

Further, they are in breach of their mission as a non-profit - which is  backed by the government - because they have openly discriminated against me (i.e., treated me differently than other press members who abide by their arm-twisting tactics - or in the alternative - have written positive stories possibly prompted by gifts and payola?).

No matter how ‘ya cut it, the AFI Fest is an incestuous corrupt organization rife with unintelligent elitist snobs out to rob the arts community of their rightful entitlement to full access to the 7-day event without censorship or a requirement that they mention sponsor such as AUDI in AFI press coverage.

Shame on David Lynch, Casey De La Rosa, Sir Howard Stringer, Bob Gazzalles, Zwick, and Mike Nichols, and others involved with the AFI Fest who are responsible for this outrageous inappropriate conduct, which smacks of a form of extortion.
http://www.thetazzler.biz/






John Wildman former PR Manager at AFI Fest


Monday, October 18, 2010

AFI FEST 2010...David Lynch presents World Cinema! Midnight features! Breakthrough flicks! Stars galore!




 







AFI FEST 2010 (presented by Audi) issued a press release today to inform me that - in addition to the special presentations I penned a post on last week (8 Red Carpet Galas) - there will be an additional five (5) eclectic segments included in the Film Festival screening mix that runs Nov. 4th thru Nov. 11th.

Post:  10/13/2010

http://leonelgosphar.blogspot.com/2010/10/afi-fest-2010presented-by-audi.html

The exciting line-up includes World Cinema (new works by renowned filmmakers); Midnight (showcasing midnight screenings of comedy and horror films); Alt/Art (which presents films about art, artists and the artistic struggle for freedom of expression); Breakthrough (a new section to AFI FEST which highlights films discovered solely through the submission process); and Shorts (with films in this section eligible for Academy Award consideration).

The six films selected by AFI FEST 2010 Guest Artistic Director David Lynch will be announced by festival organizers in the near future.

This year, AFI FEST boasts 97 films presentations (66 features & 31 shorts) selected from 3,000 submissions across 31 countries with UK (11), France (9) and South Korea (7) topping the international selections.

The breakdown by section is:

*Gala/Tribute (8)
*Special Screening (4)
*Young Americans (6)
*New Auteurs (8)
*World Cinema (23)
*Midnight (3)
*Alt/Art (3)
*Breakthrough (5)
*Short Film (31)

The films in the Gala/Tribute, Special Screening, Young Americans and New Auteurs sections were previously announced in a prior post as aforementioned.

To refresh your memory they include the following features:

Post: 10/06/10

http://leonelgosphar.blogspot.com/2010/10/afi-festivaldavid-lynch-guest-artistic.html

AFI FEST runs Nov. 4th thru Nov. 11th (2010) due to the generous sponsorship of AUDI.

The plush theatrical venues chosen to screen the films include the historic Grauman’s Chinese Theatre, the Mann Chinese 6 theatres, the Egyptian Theatre and the Hollywood Roosevelt Hotel.

WORLD CINEMA SELECTIONS

This section presents new work by many of the world’s most renowned filmmakers.

The films in competition for the World Cinema Audience Award are:

*13 ASSASSINS:
(DIR Takashi Miike)
SCR Daisuke Tengan. Japan

*BOY:
(DIR/SCR Taika Waititi. New Zealand)

*CARANCHO:
(DIR Pablo Trapero)
SCR Alejandro Fadel, Martín Mauregui. Argentina/France/Chile)

*CERTIFIED COPY (COPIE CONFORME):
(DIR/SCR Abbas Kiarostami. France/Italy/Iran)

*CHICO & RITA:
(DIR Fernando Trueba, Javier Mariscal, Tono Errando)
SCR Fernando Trueba, Ignacio Martínez de Pisón. Spain/UK

*FILM SOCIALISM (FILM SOCIALISME):
(DIR/SCR Jean-Luc Goddard. Switzerland)

*HAHAHA:
(DIR/SCR Hong Sangsoo. South Korea)

*HIS & HERS:
(DIR Ken Wardrop. Ireland)

*THE HOUSEMAID (1960):
(DIR/SCR Kim Ki-young. South Korea)
THE HOUSEMAID (2010):

(DIR Im Sang-soo)
SCR Kim Ki-young, Im Sang-soo. South Korea

*THE HUMAN RESOURCES MANAGER:
(DIR Eran Riklis)
 SCR Noah Stollman. Israel/Germany/France/Romania

*I SAW THE DEVIL:
(DIR Kim Jee-woon)
SCR Park Hoon-jung. South Korea

*KARAMAY:
(DIR Xu Xin. China)

*OKI’S MOVIE:
(DIR/SCR Hong Sangsoo. South Korea)

*OUTRAGE:
(DIR/SCR: Takeshi Kitano. Japan)

*PINK SARIS:
(DIR Kim Longinotto. UK)

*POETRY:
(DIR/SCR Lee Chang-dong. South Korea)

*PRECIOUS LIFE:
(Dir: Shlomi Eldar. Israel)

*THE PRINCESS OF MONTPENSIER:
( DIR Bertrand Tavernier)
SCR Jean Cosmos, François Olivier Rousseau, Bertrand Tavernier. France

*RUBBER:
(DIR/SCR Quentin Dupieux. USA).

*A SCREAMING MAN (HOMME QUE CRIE):
(DIR/SCR Mahamat-Saleh Haroun. France/Belgium/Chad)

*SUBMARINO:
(DIR/SCR Thomas Vinterberg. Denmark)

*UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (LUNG BOONMEE RALUEK CHAT): (DIR/SCR Apichatpong Weerasethakul. UK/Thailand/France/Germany/Spain)

MIDNIGHT SELECTIONS

This new section showcases comedy & horror programming worthy of midnight viewings.

*CARGO:
(DIR Ivan Engler, Ralph Etter)
SCR Arnold Bucher, Ivan Engler, Patrik Steinmann, Thilo Röscheisen. Switzerland

*JULIA’S EYES (LOS OJOS DE JULIA):
(DIR Guillem Morales)
SCR Guillem Morales, Oriol Paulo. Spain

*NORWEGIAN NINJA
(KOMMANDER TREHOLT & NINJATROPPEN):
(DIR/SCR Thomas Cappelen Malling. Norway)

ALT/ART SELECTIONS

This section presents films about art, artists &  artistic struggle for freedom of expression.

*BARBERSHOP PUNK:
(DIR Georgia Archer, Kristin Armfield. USA)

*BLANK CITY:
(DIR Celine Danhier. USA)

*FREE RADICALS:
(DIR Pip Chodorov. France . U.S. Premiere)

BREAKTHROUGH SELECTIONS

This section ¾ new to AFI FEST ¾ highlights films discovered solely through the submissions process.

The films in this section are in competition for the Breakthrough Audience Award and its accompanying $5,000 cash prize.

*HAMILL:
(DIR Oren Kaplan)
SCR Joseph McKelheer, Eben Kostbar. USA

*I WILL FOLLOW:
(DIR/SCR Ava DuVernay. USA)

*REMOVAL:
(DIR Nick Simon)
SCR Daniel Meersand, Nick Simon, Oz Perkins. USA . World Premiere

*THE WEATHER STATION (PRYACHSYA):
(DIR Johnny O’Reilly)
SCR Aleksei Kolmogorov, Johnny O'Reilly. Russia . World Premiere

*WIN/WIN:
(DIR/SCR Jaap van Heusden. Netherlands)

SHORT FILM SELECTIONS

The films in this section are in competition for the Grand Jury Prize for Live Action Short Film and Animated Short Film ¾ both recognized by the Academy of Motion Picture Arts and Sciences as qualifiers for the annual Academy Awards®.

*52 TAKES OF THE SAME THING THEN BOOBS:
(DIR/SCR T. Arthur Cottam. USA)

*THE ABYSS BOYS:
(DIR/SCR Jan-Hendrik Beetge. South African)

*THE ACCORDION:
(DIR/SCR Jafar Panahi. Iran)
*BERIK:
(DIR/SCR Daniel Borgman. Denmark)

*BOTTLE:
(DIR/SCR Kirsten Lepore. USA)

*DELMER BUILDS A MACHINE:
( DIR/SCR Landon Zakheim. USA)

*EXCUSE ME:
(DIR/SCR Duncan Birmingham. USA)

*FEEDER:
(DIR Joseph Ernst)
SCR Joseph Ernst, Dean Wei. Netherlands/UK

*THE HIGH LEVEL BRIDGE:
(DIR/SCR Trevor Anderson. Canada)

*I LOVE LUCI:
(DIR/SCR Colin Kennedy. UK)

*I MISS:
(DIR/SCR Annie Dorsen. USA)

*IF YOU DRIVE AT NIGHT, TRY TO HAVE COMPANY:
(DIR/SCR Isabel Muñoz. Mexico)

*KIDS MIGHT FLY:
(DIR/SCR Alex Taylor. UK)

*LONG LIVE THE NEW FLESH:
(DIR Nicolas Provost. Belgium)

*MARCEL THE SHELL WITH SHOES ON:
(DIR Dean Fleischer-Camp)
SCR Jenny Slate, Dean Fleischer-Camp. USA

*MARY LAST SEEN:
(DIR/SCR T. Sean Durkin. USA)

*ON LEAVE:
(DIR/SCR Asaf Saban. Israel)

*PHOTOGRAPH OF JESUS:
(DIR Laurie Hill. UK)
*PIXELS:

(DIR/SCR Paul Emile Boucher. France)

*QUADRANGLE:
( DIR Amy Grappell. USA)

*THE RESPONSE:
(DIR Andrew Spieler)
SCR Samantha Manahan. USA

*SACRAMENTO: A FAMILY FABLE:
(DIR/SCR Michael Bodie. USA)

*THE SANDPIT:
(DIR Sam O’Hare. USA)

*THE SAVAGE CANVAS:
( DIR Tim Hope)
SCR Tim Hope, Susanna Kleeman. UK

*SOME BOYS DON’T LEAVE:
(DIR Maggie Kiley)
SCR Maggie Kiley, Matthew Mullen. USA

*STRIPS:
(DIR Felix Dufour-Laperriere. Canada)

*SUCCESSFUL ALCOHOLICS:
(DIR Jordan Vogt-Roberts)
SCR T.J. Miller, Jordan Vogt-Roberts. USA

*TELEPHONEME:
(DIR/SCR MK12. USA)

*TIME FREAK:
(DIR/SCR Andrew Bowler. USA)

*TUB:
(DIR/SCR Bobby Miller. USA)

*VOICE ON THE LINE:
(DIR Kelly Sears. USA)

SPECIAL PRESENTATIONS

*3D BOOTCAMP

PRESENTED BY THE SONY 3D TECHNOLOGY CENTER:

A special seminar led by Buzz Hays, Senior Vice President of the Sony 3D Technology Center, on the making of 3D entertainment, with an emphasis on the importance of storytelling in the third dimension.

THE LOS ANGELES TIMES YOUNG HOLLYWOOD ROUNDTABLE:

A conversation with some of Hollywood ’s brightest young talent including Academy Award nominee Carey Mulligan (NEVER LET ME GO), Jesse Eisenberg and Andrew Garfield (THE SOCIAL NETWORK).
http://www.thetattler.biz